The picture is an historic one of the Port of Marseilles. It has a very “exotic” quality , both European and almost Asian or “Venetian/ Byzantine” in luminous visual character. It suggests shimmering dry heat, and suggests the labouring efforts of many, formed into a monument of colonial splendour. I see parallels with St Mark’s ,Venice: even the “scalp-hunting”- trophy notion of ”captured” spirits (bronze horses) and commerce in goods and scholarship.
Travel and reflections on one’s patch
January 15th, 2010 by Andrew No comments »
Just a few short weeks ago this soul was stamping the dust in the Roman forum, where countless others have trod. Whilst suitably humbling to stand where very powerful historic figures have been, it was also salutary to look skyward and realize the transitory character of time and experience, and the burdens arising from self formed comparisons. Trajan’s public court (1100 sq. metres) is the size of about 4 modern-day Australian MacMansions, yet it comfortably served as the fulcrum for the entire empire: just what are adequate space standards for the modernist? Is modesty too much even for the common man (or woman).
Who needs architectural icons or glittering mosaics when the illusions of Hollywood and ganing can create virtual architecture, and bend your mind & psyche into the bargain?
Vessels of titanium and evermore complex freeform geometries and demonstrations of design caprices, seem to underscore the unhappy vicissitudes that such temporary measures of success really means.
The real power is in the emotional connect and content, that symbology still carries. This is the subtle invitation by architect (and building construtors and “patrones”) for the viewer to engage with the dialog and language of “permanence” and illusion. Hence even in swirling crowd, after an exhausting wait in the hot Venetian sun in september with a thousand other tourists, San Marco in Venice can still leave one breathless and inspired. This was not reveries or devotional panegyrics, but a gestation of decades old art historical studies on icongraphy and colour sense. That columuniated corner, rhimed by Ruskin in his fluttering watercolours, beneath the bronze horses, dealing with transition and interconnection by perambulation of the busiest cornered neck in the L shaped piazza.
The paradox that queuing has pleasures, that would otherwise be passed over in the tramp and rush to tick the boxes of travel sights seen and attended, of a forced anticipation, of boredome triggering reflection.
So now, to set these thoughts in some order, summed like a pentacle, restless and circling with statis, and a persistent mystic power.
front page post
August 24th, 2009 by Andrew No comments »By degrees, and good degustation, this site will start to form itself into a entirely useful source of architecture and green building information. this will be supported by blog, discuission and links for deeper environmental and social consideration, where the curious may venture at their peril.
Second post
July 8th, 2009 by admin 1 comment »See how the second post comes above the first post, etc, etc.
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Hello world!
June 11th, 2009 by admin No comments »Welcome to Ideas Group Australia
This site (under perennial construction like owner builders) is to promote sustainability in many forms
- Building design concepts,
- Architecture of place,
- Character of good governance and
- The role of the informed technical practitioner in meeting the best practice re construction & land use, without falling down too many ‘rabbit holes’.
This site shares and promotes good practices, and recommends valuable resources worth considering.




